diff options
author | William Carroll <wpcarro@gmail.com> | 2020-04-11T09·45+0100 |
---|---|---|
committer | William Carroll <wpcarro@gmail.com> | 2020-04-11T09·45+0100 |
commit | 3562343c196b381fea7ebff9fc8612ac0ad927ff (patch) | |
tree | 6c6132c50a35556f657f3c936cd624cf58100085 /website/sandbox/chord-drill-sergeant/src/Theory.elm | |
parent | 3dac2f10ff4f7f6c5f82cacd27e09c079dcd0367 (diff) |
Generate all known chords and display randomly selected chords
First of all, Elm's purity is beautiful. I think every language should model their error messages and develop experience after Elm. If I didn't have to download packages, I don't think I would need an internet connection to troubleshoot my program's errors. This is how helpful I find the compiler. Now that that's out of the way, here's what I've changed since we've last corresponded: - Use Elm's Browser.element to create a reactive application with state - Write a function to generate all of the chords about which CDS knows - Move some code out of Main.elm into other modules - Depend on List.Extra, Random, Random.Extra What's left: - Lots of work - Instead of clicking a button to show a new chord, use a timer - Add mobile-first styling (probably add TailwindCSS) - Persist settings in LocalStorage (and then eventually create user accounts) - Allow users to curate the list of chords they're interested in practicing - Deploy the website and dogfood it Unknowns: - How can I handle tempo? I don't expect setInterval to be enough (maybe it is)...
Diffstat (limited to 'website/sandbox/chord-drill-sergeant/src/Theory.elm')
-rw-r--r-- | website/sandbox/chord-drill-sergeant/src/Theory.elm | 209 |
1 files changed, 209 insertions, 0 deletions
diff --git a/website/sandbox/chord-drill-sergeant/src/Theory.elm b/website/sandbox/chord-drill-sergeant/src/Theory.elm new file mode 100644 index 000000000000..c80fffc39f3c --- /dev/null +++ b/website/sandbox/chord-drill-sergeant/src/Theory.elm @@ -0,0 +1,209 @@ +module Theory exposing (..) + +import List.Extra + +{-| Notes are the individuals sounds that we use to create music. Think: "do re +mi fa so la ti do". + +Note: Technically a "C-sharp" is also a "D-flat", but I will model accidentals +(i.e. sharps and flats) as sharps and represent the ambiguity when I render the +underlying state of the application. + +Note: There are "notes" like A, B, D-flat, and then there are notes like "middle +C", also denoted in scientific pitch notation as C4. I'm unsure of what to call +each of these, and my application does not model scientific pitch notation yet, +so these non-scientific pitch denote values are "notes" for now. -} +type Note = C + | C_sharp + | D + | D_sharp + | E + | F + | F_sharp + | G + | G_sharp + | A + | A_sharp + | B + +{-| Encode whether you are traversing "up" or "down" intervals -} +type StepDirection = Up | Down + +{-| One can measure the difference between between notes using intervals. -} +type Interval = Half + | Whole + | MajorThird + | MinorThird + +{-| A bundle of notes which are usually, but not necessarily harmonious. -} +type Chord = Chord (Note, ChordType, ChordPosition) + +{-| Many possible chords exist. This type encodes the possibilities. I am +tempted to model these in a more "DRY" way, but I worry that this abstraction +may cause more problems than it solves. -} +type ChordType = Major + | Major7 + | MajorDominant7 + | Minor + | Minor7 + | MinorDominant7 + | Augmented + | Augmented7 + | Diminished + | Diminished7 + +{-| On a piano, a triad can be played three ways. As a rule-of-thumb, The number +of ways a pianist can play a chord is equal to the number of notes in the chord +itself. -} +type ChordPosition = First + | Second + | Third + | Fourth + +{-| Songs are written in one or more keys, which define the notes and therefore +chords that harmonize with one another. -} +type Key = Key (Note, Mode) + +{-| We create "scales" by enumerating the notes of a given key. These keys are +defined by the "tonic" note and the "mode". I thought about including Ionian, +Dorian, Phrygian, etc., but in the I would like to avoid over-abstracting this +early on, so I'm going to err on the side of overly concrete until I have a +better idea of the extent of this project. -} +type Mode = BluesMode + | MajorMode + | MinorMode + +{-| Return the note that is one half step away from `note` in the direction, +`dir`. +-} +halfStep : StepDirection -> Note -> Note +halfStep dir note = + case (dir, note) of + -- C + (Up, C) -> C_sharp + (Down, C) -> B + -- C# + (Up, C_sharp) -> D + (Down, C_sharp) -> C + -- D + (Up, D) -> D_sharp + (Down, D) -> C_sharp + -- D_sharp + (Up, D_sharp) -> E + (Down, D_sharp) -> D + -- E + (Up, E) -> F + (Down, E) -> D_sharp + -- F + (Up, F) -> F_sharp + (Down, F) -> E + -- F# + (Up, F_sharp) -> G + (Down, F_sharp) -> F + -- G + (Up, G) -> G_sharp + (Down, G) -> F_sharp + -- G# + (Up, G_sharp) -> A + (Down, G_sharp) -> A + -- A + (Up, A) -> A_sharp + (Down, A) -> G_sharp + -- A# + (Up, A_sharp) -> B + (Down, A_sharp) -> A + -- B + (Up, B) -> C + (Down, B) -> A_sharp +{-| Return a list of steps to take away from the root note to return back to the +root note for a given mode. +-} +intervalsForMode : Mode -> List Interval +intervalsForMode mode = + case mode of + MajorMode -> [Whole, Whole, Half, Whole, Whole, Whole, Half] + MinorMode -> [Whole, Half, Whole, Whole, Half, Whole, Whole] + BluesMode -> [MinorThird, Whole, Half, Half, MinorThird] + +{-| Return a list of the intervals the comprise a chord -} +intervalsForChordType : ChordType -> List Interval +intervalsForChordType chordType = + case chordType of + Major -> [MajorThird, MinorThird] + Major7 -> [MajorThird, MinorThird, MajorThird] + MajorDominant7 -> [MajorThird, MinorThird, MajorThird, MinorThird] + Minor -> [MinorThird, MajorThird] + Minor7 -> [MinorThird, MajorThird, MajorThird] + MinorDominant7 -> [MinorThird, MajorThird, MajorThird, MinorThird] + Augmented -> [MajorThird, MajorThird] + Augmented7 -> [MajorThird, MajorThird, Whole] + Diminished -> [MinorThird, MinorThird] + Diminished7 -> [MinorThird, MinorThird, MinorThird] + +{-| Return the note in the direction, `dir`, away from `note` `s` intervals -} +step : StepDirection -> Interval -> Note -> Note +step dir s note = + let + doHalfStep = halfStep dir + in + case s of + Half -> doHalfStep note + Whole -> doHalfStep note |> doHalfStep + MinorThird -> doHalfStep note |> doHalfStep |> doHalfStep + MajorThird -> doHalfStep note |> doHalfStep |> doHalfStep |> doHalfStep + +{-| Returns a list of all of the notes up from a give `note` -} +applySteps : List Interval -> Note -> List Note +applySteps steps note = + case List.foldl (\s (prev, result) -> ((step Up s prev), (step Up s prev :: result))) (note, []) steps of + (_, result) -> List.reverse result + +{-| Return a list of the notes that comprise a `chord` -} +notesForChord : Chord -> List Note +notesForChord chord = + case chord of + -- TODO(wpcarro): Use the Position to rotate the chord n times + Chord (note, chordType, _) -> note :: applySteps (intervalsForChordType chordType) note + +{-| Return the scale for a given `key` -} +notesForKey : Key -> List Note +notesForKey key = + case key of + Key (note, mode) -> applySteps (intervalsForMode mode) note + +{-| Return a list of all of the chords that we know about. -} +allChords : List Chord +allChords = + let notes = [ C + , C_sharp + , D + , D_sharp + , E + , F + , F_sharp + , G + , G_sharp + , A + , A_sharp + , B + ] + chordTypes = [ Major + , Major7 + , MajorDominant7 + , Minor + , Minor7 + , MinorDominant7 + , Augmented + , Augmented7 + , Diminished + , Diminished7 + ] + chordPositions = [ First + , Second + , Third + , Fourth + ] in + notes + |> List.Extra.andThen (\note -> chordTypes + |> List.Extra.andThen (\chordType -> chordPositions + |> List.Extra.andThen (\chordPosition -> [Chord (note, chordType, chordPosition)]))) |